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MUSINGS

A Year of Musical Breakthroughs (Post 3/15)

11/14/2024

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A Year of Musical Breakthroughs (Post 3/15)
Year 2011-2012
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Unlike the challenging year before, 2011 began on a high note. I was accepted as a conducting fellow with the California Philharmonic, giving me an inside look at a regional professional orchestra. This opportunity also allowed me to conduct a rehearsal when the Music Director was unexpectedly taken to the ER.
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Additionally, I was accepted into a master’s program at California State University, Northridge. This wonderful opportunity enabled me to work with both the college orchestra and the youth orchestra in Northridge. I also collaborated with fellow graduate students who were composers, premiering several new pieces. One of the key reasons for pursuing a graduate degree in a major city is the abundance of external opportunities, and the Los Angeles area offered many.
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Lastly, I revisited a special place from my teenage years, the Lark Musical Society (more on this fantastic institution in a separate post). Here, I began teaching and founded a small youth orchestra, which was a new addition to the institution and an excellent opportunity for me to learn and grow.

Tigran Arakelyan, conductor, symphony, orchestra, Armenian, American
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Conducting a rehearsal with the California Philharmonic (2011)
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A year of self discovery: failure, regret, and lost opportunities (Post 2/15)

11/6/2024

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A year of self discovery: failure, regret, and lost opportunities (Post 2/15)
Year 2010-2011

The year 2010-2011 was a period of profound self-discovery that significantly impacted my approach to work and planning in the subsequent years. During this time, I learned to maintain my drive, ask important questions, and uncover the reasons to continue on this path.


In my urgency to find a graduate school, I made a quick and uncalculated decision. I believed that attending graduate school for conducting was the ultimate goal, not realizing that creating and conducting an orchestra offered a greater educational opportunity. I ended up at a school in a small college town, hours away from any major city—an environment I was unaccustomed to, with limited opportunities. I managed to complete a semester there.

Although this was a significant educational moment, it was ultimately a wrong decision that could have been avoided. I spent most of my time at the school regretting the move, missing the orchestra I had built, and feeling discouraged by the lost opportunities. Eventually, I left the small-town college, moved back to California to live with my parents, and reevaluated my future plans.

Adjusting to being back home was tough. I had to come to terms with not only failing to identify the right next steps, questioning my career path, but also losing valuable opportunities and a supportive community I had created. Musically, it was largely insubstantial. However, I did conduct at a composer/conductor festival, which provided an opportunity for a premiere by a young composer and allowed me to study with Don Thulean.

Tigran Arakelyan, conductor, music director, orchestra, symphony, Armenian, American
Picture
A rare picture from the week-long festival/masterclass (Fall 2010).
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    Armenian-American conductor Tigran Arakelyan was named by Musical America Worldwide as one of the Top 30 Professionals of the Year and was included in the 40 under 40 honorees by Yamaha Music USA. Recognized as a "highly-esteemed conductor across the Pacific Northwest" (The Leader), Tigran is the Music Director of the Northwest Mahler Festival and the Port Townsend Symphony. Previously, he was the assistant conductor of the California Philharmonic and the Los Angeles Youth Orchestra. He played alongside Sir James Galway during Galway's induction into the Hollywood Bowl Hall of Fame with the Hollywood Bowl Orchestra.

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